My practice begins with typography, layout, and the quiet discipline of a well-made page. Alongside that, I work with video, and I value how each format asks for different kinds of attention. Both shape the way I think about pacing, hierarchy, and what a viewer should notice first.

I am drawn to work where the structure does the persuading. A PDF that reads cleanly, or a short film whose rhythm feels inevitable, both come from the same habit of cutting what is unnecessary and keeping what carries meaning.